Recording and mix engineers are used to working with channel strips but who the heck wants to deal with busses, aux channels, inserts when you just want to connect your guitar to your reverb or phaser (or both)! Usable by regular people – This is the main reason we went with a visual approach rather than using the traditional channel-strip approach.You should not have to worry that moving a slider might break something. I want to enjoy the performance and not always be on edge that something might go wrong. Reliability – If you’ve ever been on stage fretting that your system was going to crash “any moment now”, you’ll immediately understand this one.If the sound in your monitors stops suddenly, you really want to know fast whether it’s your hardware, your software, or something wrong with monitoring or FOH. One important issue that never seems to be addressed by developers of audio plugin hosts who don’t actually perform live is the rapid need to diagnose the origin of a problem when you’re on stage. We are both touring musicians and so rather than just having an abstract understanding of the needs of performing musicians, we’ve both been (and still are) there. So, along with my partner, an extremely strong software developer but also a touring guitarist, we decided it was time to create our own audio plugin host that would do exactly what we wanted. If you sit down at a piano or pick up a guitar and start playing, you don’t get distracted by the mechanics of the piano or guitar, you just play. I have a serious technical background in software development but when I am in “music mode”, I don’t WANT to have to care about techie stuff. I’m sure someone will do Gig Performer vs. Incidentally, a consequence of this is that somebody else had to create audio plugin host comparisons for Gig Performer vs. There were a couple of options for Windows only, such as Forte and Cantabile but frankly, I couldn’t even figure out how to get started with either of them. One of the better known, Ableton Live, was interesting, but in spite of its name, it really wasn’t focused on live performance the way I needed it to be, being more song oriented than show oriented. So like coming to a fork in the road, I had to make a choice. A bigger problem was that VST support in MaxMSP was becoming problematic and unreliable, at least for the ways in which I needed to use them. Unfortunately, newer versions of Max were becoming much less reliable and I was forced to stick with MaxMSP version 5 even though newer versions had some really cool features, particularly editing related, that would have been really helpful. It was an ongoing project and it worked sufficiently well that I went on tour several times with that environment. I wrote a 3-part article about how I did this which you can read on our old blog page. My next approach was to implement MainStage functionality using MaxMSP version 5 from Cycling74. However, I soon ran into some very bizarre problems with MainStage, the details of which are beyond the scope of this article but suffice it to say that I just couldn’t get things to work reliably the way I needed. You know, surrounding myself with about 9 keyboards including a Korg Oasys, a Prophet 8, a Moog Voyager, a twin-manual Hammond clone and various MIDI keyboard controllers. At the time, I was still doing the Rick Wakeman/Keith Emerson thing. As a Mac user I was naturally drawn to Apple MainStage, which, at the time, I felt was going to be just perfect for me. My previous answer explains how to key the rig when using USB audio from the PC.The short answer is we needed it ourselves! The long answer is, well, much longer, so read on.Īlthough I was using various MIDI sequencers and DAWs since the 80s, I only got back into live performance about nine years ago. You will need to set appropriate audio levels using a combination of the PC audio level controls and TS-590S menu 64. Via USB to USB port on the TS590 > TX my processed voice" You have to do is connect the output of your sound processing application to the TS-590S audio codec in Windows Sound Playback Devices. > PC Soundcard LINE IN > Audio Processing Software > Audio out It is just the same as using the PC to originate the audio tones used for digital modes. The USB input to the TS-590S can be used to transmit voice that comes from your PC. " " Can I use the USB input from the TS590 to TX voice? " " I think something is lost in translation.
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